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House (1977) weird, bizarre… Two Words To Describe This Japanese Horror Flick.

Oh Japan… never change, from the country that bought us anime, Hayo Miyazaki, Yu-Gi-Oh and Godzilla House can be described in one word… trippy.

I have never done drugs, never smoked weed never tried it at all, but this Japanese cult classic is truly something that needs to be seen to truly understand how bizarre it really is.

Directed by Nobuhiko Obayashi and released in 1977 it follows six schoolgirls, one of them named Gorgeous on account of her looks, they travel to Gorgeous’s aunts house in the japanese country side, the house which is in fact haunted starts to terrify the girls.

That’s the plot… The rest of what follows is the most bizarre, there’s no other word to explain it, it’s just bizarre, the effects are surreal and… basically it’s like you’ve done acid without even taking acid its that trippy.

The editing as well is something else, there’s a thing on YouTube called YouTube Poop and it’s a collection of videos poorly edited but in a comical way, this movie is basically an hour and a half YouTube Poop video in a sense, but it’s so good that your basically begging for more.

House has now become my top favourite movie, it’s bizarre it’s weird it’s a damn good horror flick from the country that certainly knows how to do horror, this film gets a solid 10/10 from me, it’s brilliant and definitely a film that has to be seen before you die.

But as always guys, catch ya later 🙂

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Paris, Texas. Amazing, Colourful And Very Touching

After dabbling in what is known as the Criterion Collection I suddenly realised how little I knew about movies, I did after all self proclaim myself as a movie buff and after seeing a few closet picks from well known directors/actors it struck me… I have seen absolutely zero of said movies that are mentioned by the actors and directors.

So after extensive googling and searching I came across the BFI Channel on Amazon Prime Video, now immediately I signed up and have since seen an array of movies, most recently I have seen the amazing French movie Tomboy but… One film on that channel has stuck with me, Wim Wender’s Paris, Texas.

Never has a film stayed with me long after the credits have rolled, but Paris, Texas has done exactly that, the film stars the late Harry Dean Stanton as a man called Travis Henderson who is wandering in the desert and eventually stumbled in to a bar and collapses, there in the doctors office he only has on him a phone number which the doctor calls, it’s Travis’ brother Walt, Walt now has to travel to Texas and pick him up.

After a road trip back to Walt’s house we see Travis’ son Hunter (played amazingly by child actor Hunter Carson) Hunter having zero recollection as to who his father is is shown super 8 movies of the times him and Travis were a family with Hunters’ mother.

The second half of the film is Travis taking Hunter to see his mum who works in a peep show establishment, there Travis tells the story of a young couple, the story however is about them and how Travis walked out on his wife and Hunter years ago, Travis tells his wife where Hunter is and she goes and pays him a visit.

What’s touching about this scene in particular is the way Hunter looks up from playing with his toys, gazing up at this stranger, he stands up and slowly approaches her then suddenly he remembers that yes, that is his mum standing there, it’s bittersweet and touching at the same time.

Now, straight away this is a very slow film hence why it’s called a slow burner but it’s worth the 147 minute runtime just to see the amazing cinematography by Robbie Müller and the soundtrack which by the way is outstanding by Ry Cooder, but what struck me was the amazing use of colour used throughout the film, from when Travis is in the peep show having a touching heart to heart with his wife to when Hunter sees his mum in the hotel room at the end of the film.

Paris, Texas has now become my favourite film and it’s certainly one I will be watching again and again, a solid 10/10 for this one

As always catch ya later 🙂